Fireworks Urban Kitchen

CompanyBlue Sky Hospitality
Lead DesignerHenry Chebaane
Design TeamSimeon Wake, Jane Maciver, Cheng Chon Hoong, Oscar Martin, Radim Vlcek, Michael Koeditz
PrizeInterior Design / Hospitality

FIREWORKS urban kitchen In Azerbaijan, fire has shaped the culinary and cultural landscapes for centuries, for example the natural gas vents at the Zoroastrian Ateshga, collecting embers at Yanar Dag, preparing smoky tea samovar with coals or grilling aromatic kebabs. Today, the memory of this heritage of fire has been re- imagined as “FIREWORKS”, created by the acclaimed international restaurant designer Henry Chebaane and his team from Blue Sky Hospitality studio. A place high in symbolism, aesthetic drama, kinetic stimulations and taste sensations: fireworks for the senses! At the entrance are two dragon skulls: one male and one female represent the mythology of fire: opposite but complementary natural forces (yin/yang, heat/oxygen) that starts fire and sustain the full life cycle on Earth. “FIREWORKS” is entered via a ceremonial canopy of glowing metal rods, translucent bricks and wooden blocks symbolising the ritualistic elements of grilling and roasting with live fire. These elements are repeated throughout the space on walls and ceilings in different compositions of light, shadow and textures imbuing the whole dining space with a distinctive halo of comforting warmth and sophisticated drama. “Born of fire” is an exclusive piece of 4-Dimensional conceptual art that covers most of the ceiling above the dining area, conceived by Henry Chebaane. Inspired by the legend of Prometheus bringing the original fire to mankind from the Caucasus mountains, it is a composition of several hundreds walnut bricks. The surface area is cracked open by a massive lighting bolt, revealing a metalised glass surface that softly glows in a myriad of red and amber tones, evolving throughout the day and night. Caucasian walnut and European oak are used for all furniture, carpentry and floors combined with full aniline leather upholstery in various tones of burnt earth, recalling the pigments used in classical paintings and wool-dyeing for local rugs.