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Pointing
![[Lucia Cooper Photography - Movement by Frank Gehry - IMG 1]](https://architectureprizecom.s3-us-west-2.amazonaws.com/uploads/97561703/22-22158-25/full/2ca5616983fc0e6fa361aff1e2f5f0cb.jpg)
![[Lucia Cooper Photography - Movement by Frank Gehry - IMG 2]](https://architectureprizecom.s3-us-west-2.amazonaws.com/uploads/97561703/22-22158-25/full/ff7debb25704b7add4b2a4f2fd12a2cf.jpg)
![[Lucia Cooper Photography - Movement by Frank Gehry - IMG 3]](https://architectureprizecom.s3-us-west-2.amazonaws.com/uploads/97561703/22-22158-25/full/f1a2c3bc742084bfed63724bdc0ac3fa.jpg)
![[Lucia Cooper Photography - Movement by Frank Gehry - IMG 4]](https://architectureprizecom.s3-us-west-2.amazonaws.com/uploads/97561703/22-22158-25/full/b548e21d5d78f2ffb8ee231d4ac7c027.jpg)
![[Lucia Cooper Photography - Movement by Frank Gehry - IMG 5]](https://architectureprizecom.s3-us-west-2.amazonaws.com/uploads/97561703/22-22158-25/full/79074def4341ab5932e1b21e5841baea.jpg)
Movement by Frank Gehry
LocationAnn Arbor, United States
StudioLucia Cooper Photography
University/SchoolNon-professional photographer
PhotographerLucia Cooper
Asked about his design motivation, architect Frank Gehry once said, “I was looking for a way to express movement.” And movement is what I saw in the exterior of the Disney Concert Hall—blooming, pointing, and squinting—everywhere my camera turned.