Transliminal is what I call that space between what a building is and how it's perceived; when architecture stops being literal and starts becoming something else. That's where my eye goes. Most of this work comes from walking around Chicago, a city I've lived with long enough to know its shapes, but not so long I've stopped being surprised by them. I tend to crop in close, not to obscure, but to focus. I'm interested in what happens when depth flattens, when facades overlap, when a reflection throws everything off just enough to feel new.