The architecture of temporarily animated spaces, the one that speaks more about its visitors than about its own genesis, the one that most easily "telephones" endorphins and serotonin, the one that makes us huddle together as only fear can – that's what we're talking about here. The commercial architecture with a scenographic aspect, the one that attracts, in controlled flashes, for a few hours, swarms of wills in search of lost adrenaline, of the landmark from a diffuse but glorious past, of a collective identity sometimes heroic, sometimes ridiculous – that's what I photographed here.